CANON

CANON

MARIINSKI THEATER ''THE TROYANS''

Berlioz’s epic opera “Les Troyens” is regarded as his most ambitious and powerful work. Staging the demanding and tragic performance is a real challenge! It took the Mariinsky Theater several years to bring the masterpiece together in Russia’s hub of classical music, St Petersburg.

 

http://mariinsky.rt.com/video/les-troyens.html

DAVID GRIMAL Extrait de la 5e symphonie de Beethoven

Dvid Grimal site..

DANSES

http://www.vuvox.com/collage/detail/033804fe46

''PROΜENADES''

Promenades
creation 2009 la nouvelle compagnie

avec le soutien de la ville de niort, conseil general des deux-sevres, le festival impulsions femmes, l’espace tartalin, le moulin du roc

danse : helene blanck
sculpture : claude besson
musique : gael ascal
lumiere : pierre papot

realisation wilfrid berger

merci À la baf, pour l’instant, autour de la sculpture et toutes celles et ceux qui ont participe activement À la mise en oeuvre de promenades

''LA MORT DU SIGNE ETC '' A BIERRITZ (EXTRAIT)

CECILIA BARTOLI ''CADRO, MA QUAL SI MIRA'' FRANCESCO ARAIA EXTRAIT CONCERTO A NAPOLI

Cecilia en concert a Neaples..

NICCOLO PAGANINI

Niccolò Paganini (1782 – 1840)

Violin Concerto No. 1 in D major, Op. 6

Hilary Hahn is making history as we speak: this classical music recording puts her among the top violinists in the world.

An astonishing performance unlike any existing one, especially with
regard to form, intonation and musical insight of the violinist.

 Hilary’s lyrical personality is heard throughout the performance, right
from the beginning. Compare her entrance (some 3 minutes into the first
movement, after an introduction from the orchestra) to Salvatore
Accardo’s:

read and listen..

The Great Fugue played by the Diotima Quartet among the patients of a mental hospital

The Great Fugue by Beethoven is one of his greatest achievements, one of the most powerful scores ever written for a string quartet. He composed it at the very end of his life, while he was completely deaf, and desperate.


The music seems first to be very hard and tortured but it countains also a very powerful feeling of joy and liberation. That is why we wanted to film this performance among the patients of a mental institution, Sainte Anne, in Paris.


CREDITS
Directed and edited by Antoine Viviani
Camera Operators - Javier Ruiz Gomez, Yvan Schreck
Sound operators - Philippe Petit, Celine Grangey
Music advisor - Edouard Foure Caul Futy
Providences 2009 All rights reserved

Measha Brueggergosman - Reve Infini